By Christopher Tilley

This ebook is a longer photographic essay approximately topographic positive factors of the panorama. It integrates philosophical ways to panorama notion with anthropological reviews of the importance of the panorama in small-scale societies. this angle is used to check the connection among prehistoric websites and their topographic settings. the writer argues that the structure of Neolithic stone tombs acts as a type of digital camera lens focussing cognizance on panorama beneficial properties corresponding to rock outcrops, river valleys, mountain spurs of their rapid atmosphere. those monuments performed an energetic position in socializing the panorama and developing that means in it.

A Phenomenology of panorama is rare in that it hyperlinks kinds of publishing that have remained designated in archaeology: books with atmospheric pictures of monuments with at the very least textual content and no interpretation; and the tutorial textual content during which phrases offer an alternative to visible imagery. Attractively illustrated with many images and diagrams, it's going to attract an individual drawn to prehistoric monuments and panorama in addition to scholars and experts in archaeology, anthropology and human geography.

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It is story and telling, temporality and remembrance. Landscape is a signifying system through which the social is reproduced and transformed, explored and structured - process organized. Landscape, above all, represents a means of conceptual ordering that stresses relations. The concept emphasizes a conventional means of doing so, the stress is on similarity to control the undermining nature of difference, of multivocal code, found in the concepts of place or locale. A concept of place privileges difference and singularity; a concept of landscape is more holistic, acting so as to encompass rather than exclude.

Without a name culturally significant sites would not exist, but only as a raw void, a natural environ- Space, Place, Landscape and Perception 19 ment. In a fundamental way names create landscapes. An unnamed place on a map is quite literally a blank space. Names may create places of human import; but they do so in relation to the raw material at hand. For example, the vast majority of Western Apache place-names are lengthy and made up of descriptions of the locations to which they refer, for example tsekd tú yahilíí (water flows downward on top of a series of flat rocks) or 'coarse-textured rocks lie above in a compact cluster' (Basso 1984: 28, 37).

A concern with landscape is one of patrician control manifested in landscape painting, writing, gardening and architecture. Cosgrove (1984) locates the origins of the idea of landscape in early capitalist Italian Renaissance city states: the city gives birth simultaneously to capitalism and landscape. Landscape is a particular way of seeing, the linear techniques of perspective developed in landscape painting at this time to create a 'realistic' image parallel the development of practices such as cartography, astronomy, land surveying and mapping involving formal geometrical rules.

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